John Stanley

John Stanley (March 22, 1914 – November 11, 1993) was an American cartoonist and comic book writer, best known for writing the comic book Little Lulu from 1945 to 1959. While mostly known for scripting, Stanley also drew many of his stories, including the earliest issues of Little Lulu and its Tubby spinoff series. His specialty was humorous stories, both with licensed characters and those of his own creation. His writing style has been described as employing "colorful, S. J. Perelman-ish language and a decidedly bizarre, macabre wit (reminiscent of writer Roald Dahl)", with storylines that "were cohesive and tightly constructed, with nary a loose thread in the plot". He has been compared to Carl Barks, and cartoonist Fred Hembeck has dubbed him "the most consistently funny cartoonist to work in the comic book medium". Captain Marvel co-creator C.C. Beck remarked "The only comic books I ever read and enjoyed were Little Lulu and Donald Duck".

Biography Details about Stanley's early years are sketchy. He had an older sister Marion, two younger brothers, Thomas and James and a younger sister, Marguerite. He received a scholarship to attend art classes at Textile High School in Chelsea, Manhattan. Fellow student and future comic book artist Gill Fox when interviewed by Alter Ego magazine reminisced about Stanley "You wouldn't believe how good his work was at 16-as good as most professionals today." There are also references to his attending an institution known variously as the New York School of Design or School of Art. Afterward he began working at Max Fleischer's studio as an opaquer and eventually in-betweening. He left in 1935 to work for Hal Horne contributing artwork to the then just starting Mickey Mouse Magazine (3rd series). From there he went to work on Disney merchandise art for Kay Kamen, while selling gag cartoons to various magazines (including The New Yorker). In this period (1935–37) Don Phelps in his piece for the 1976 New Con program book notes that Stanley attended classes in lithography at the Art Students League of New York. Stanley then started working as a freelancer out of the east coast office of Western Publishing under editor Oskar Lebeck in 1943. In this period Stanley did stories for a range of characters, including Bugs Bunny, Raggedy Ann and Andy, Woody Woodpecker andAndy Panda, along with his own creations such as Peterkin Pottle and Jigg & Mooch. His scripting was done much like a storyboard in animation, with rough drawings to guide the artists and the dialogue in balloons. Stanley was respected by his peers. Artist Dan Noonan who was a contemporary at Western Publishing during the 1940s in an interview stated that Stanley was, one of the few truly capable and funny writers in the business. His stuff, the ideas he sent to The New Yorker, for example, I would say had as high a sales percentage as anything from anyone in their history... And an omnivorous reader, always. He reads everything he can lay his hands on. I’d say he’s an authority on writers like Samuel Pepys and Boswell. He has a very strange, wonderful feel for words. Walt Kelly as an in-joke in an Oswald the Rabbit one-shot (Four Color #102, 1946) has a pirate refer to a cannon that "in 1927 wouldn't say anything but 'John Stanley'-she's fickle" Calling his story for Raggedy Ann and Andy #38 (July 1949) a classic, Maggie Thompson opined "Until John Stanley took over the Raggedys, they were a cheery duo whose adventures demonstrated that loving kindness was the attitude of choice. Suddenly, their world is a dark, unsettling place that is the equal of any nightmare: in this case, a castle that is an endless maze of despair. Yikes!" Stanley and his wife Barbara had two children, Lynda (born in 1958) and James (born in 1962). Little Lulu

A John Stanley-authored Little Lulu strip from June 1954

Modest about his talent, Stanley claimed it was utter chance that he was selected to bring panel cartoon character Little Lulu to comics: "Oscar handed me the assignment, but I'm sure it was due to no special form of brilliance that he thought I'd lend to it. It could have been handed to Dan Noonan, Kelly, or anyone else. I just happened to be available at the time". Stanley had one meeting with Lulu creator Marjorie Henderson Buell (known professionally as Marge) before doing the first issue to discuss the background of the character. While Marge continued to exer