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Old-time radio, beautifully kept · established 1999
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Director · Producer · Writer

Irving Reis

1906–1953 · New York City

In the dynamic world of mid-20th century entertainment, few figures bridged the gap between radio and film as seamlessly as Irving Reis. A versatile creator who began as a radio innovator and transitioned into a notable film director, Reis left an indelible mark on American media during a transformative era of broadcasting and cinema.

Early Life and Radio Beginnings

Born on May 7, 1906, in New York City to a Jewish family, Irving Reis demonstrated an early passion for creative storytelling. His initial foray into media began as a motion picture photographer, but he quickly discovered his true calling in radio production and writing. By 1931, trade publications were noting his transition into playwriting, with Variety taking particular notice of his radio work. Reis's radio career gained significant momentum with his experimental anthology program, which made its initial broadcast on July 18, 1936. His radio plays, such as Meridian 7-1212, received critical acclaim, with Variety praising his innovative use of radio effects and storytelling techniques.

Pioneering Radio Programming

As a radio creator, Reis was known for pushing the boundaries of the medium. His radio plays were sophisticated and technically advanced for their time. Meridian 7-1212, broadcast on January 24, 1935, was particularly noteworthy. Reviewers highlighted the play's complex sound design and Reis's ability to craft compelling narratives specifically for the audio medium. Reis's understanding of radio's unique storytelling potential set him apart from many of his contemporaries. He wasn't just creating content; he was exploring the artistic possibilities of sound-based storytelling, making him a true pioneer in radio programming.

Transition to Hollywood

On January 1, 1938, Reis made a significant career move by departing for Hollywood. Initially working as a scriptwriter for Paramount Pictures, he quickly transitioned into film direction. Variety reported in November 1939 that Reis would take a 10-week break from scriptwriting to study film direction. By February 1940, he had left Paramount to begin directing at RKO Studios. His film credits became increasingly impressive, including notable works like Hitler's Children (1943), The Bachelor and the Bobby-Soxer (1947), and All My Sons (1948).

Personal Life and Legacy

Reis married writer Meta Arenson on August 10, 1938. Throughout his career, he balanced his professional achievements with a rich personal life, raising three children. Tragically, his life was cut short when he passed away from cancer on July 3, 1953, at the age of 47, leaving behind a significant legacy in both radio and film. His ability to navigate and excel in multiple media platforms made Irving Reis a quintessential mid-century entertainment professional. From innovative radio plays to compelling film direction, he represented the creative spirit of an era when media was rapidly evolving.

Works and Appearances

Radio

  • Meridian 7-1212 (1935)
  • Experimental Anthology Program (1936-1938)

Film Directing

  • Hitler's Children (1943)
  • Crack-Up (1946)
  • The Bachelor and the Bobby-Soxer (1947)
  • All My Sons (1948)
  • Enchantment (1948)
  • Three Husbands (1951)
  • The Four Poster (1952)

Notable Short Films

  • Trout Fishing (1932)
  • One Crowded Night (1940)
  • The Gay Falcon (1941)

Irving Reis's multifaceted career serves as a testament to the dynamic and innovative spirit of mid-20th century American media, bridging the worlds of radio and cinema with remarkable skill and creativity.

Heard in

Columbia Workshop
27 episodes · Director, Producer, Writer
Screen Directors' Playhouse, The
1 episode · Director