
Eileen Barton
In the vibrant landscape of mid-20th century entertainment, Eileen Barton emerged as a remarkable child star who seamlessly transitioned from radio prodigy to popular recording artist. Her dynamic career spanned multiple decades, showcasing her versatility and enduring talent in an era of rapid media transformation.
Early Years and Radio Beginnings
Born on November 24, 1924, in Brooklyn, New York, Eileen Barton was destined for the spotlight from an incredibly young age. Her parents, Benny and Elsie Barton, were performers who introduced their daughter to show business early. At just 2½ years old, Eileen made her first stage appearance in her parents' act in Kansas City, daringly singing a song as a challenge from columnist Goodman Ace.
By age 3½, she was already performing at professional venues, appearing in comedian Ted Healy's routine and doing two shows daily. Her precocious talent quickly caught the attention of radio producers, and she became a child star before most children would even start school. At age 6, she appeared on radio programs sponsored by major brands, and by age 7, she was working with performers using creative personas like "Jolly Gillette" on Community Sing.
Rise to Radio Stardom
Barton's radio career accelerated rapidly. At just 8 years old, she had her own daily singing program, Arnold's Dinner Club. By age 10, she had already appeared on national network radio programs. Her versatility was evident as she not only sang but also acted in various radio series.
A pivotal moment came at age 15 when she caught the attention of Frank Sinatra, who became a significant mentor. She co-starred on his radio show beginning August 16, 1944, and even appeared with him at the Paramount Theater in 15 performances. In 1945, Barton launched her own radio program, Teen Timers, which was soon renamed The Eileen Barton Show.
Musical Recording and Performance Career
Barton's transition from radio to recording artist was marked by significant success. Her breakthrough came with the song "If I Knew You Were Comin' (I'd've Baked a Cake)" on National Records, which became one of the best-selling independent label records of its time. Interestingly, despite the record's massive success, Barton claimed she never received royalties.
Throughout the 1950s, she continued to chart with cover versions of popular songs and performed in prestigious clubs. She recorded with labels like Capitol and Mercury, becoming a featured singer with prominent orchestras. However, the rise of rock-and-roll in the late 1950s gradually pushed singers of her generation from the charts, leading to her retirement from studio work in 1963.
Television and Later Career
Eileen Barton successfully expanded her talents to television, becoming a regular performer on various shows in the late 1940s and early 1950s. She appeared on programs like Video Village and even starred in a 13-episode series for the United States Marine Corps in 1954.
Despite the changing musical landscape, Barton continued performing live until the early 1980s, demonstrating her enduring appeal and adaptability. Her career was a testament to her remarkable talent and resilience in the entertainment industry.
Legacy and Personal Life
Barton's life was as colorful as her career. She married industrialist Dan Shaw in 1961 and had no children. She passed away on June 27, 2006, in West Hollywood, California, leaving behind a rich legacy in entertainment.
Works and Appearances
Radio Shows
- Community Sing (1936-1937)
- The Milton Berle Show (1939)
- Arnold's Dinner Club (Child performer)
- The Eileen Barton Show (1945-1954)
Television
- Video Village (1961-1962)
- Video Village Jr. (1961-1962)
- Various variety show appearances (1948-1952)
Musical Recordings
- "If I Knew You Were Comin' (I'd've Baked a Cake)" (1950)
- "Cry" (1951)
- "Pretend" (1953)
- Multiple singles with Capitol, Mercury, and National Records (1946-1963)
Eileen Barton's journey from child radio star to popular recording artist represents a unique chapter in mid-20th century American entertainment, embodying the dynamic and transformative spirit of her era.
